Nashville-based CTS AVL, a full-service audio, video and lighting company specialising in live events, has expanded its lighting inventory with a large complement of Ayrton Khamsin profile and Mistral-S ultra-compact spot luminaires.  ACT Entertainment is the exclusive distributor of Ayrton lighting fixtures in North America.

CTS AVL had been an audio company for almost 40 years when it branched out to video and lighting about half-a-dozen years ago.  The addition of Ayrton Khamsins and Mistrals, the company’s first Ayrton purchases, offers more high-end lighting options for customers across all markets and across the US.

“We needed a high-output fixture with framing shutters and an LED source,” says lead lighting technician, Carter Ranson.  “We were looking for something with a big feature set.  I saw Khamsins in use on the road and loved the fixture, and from the research I did they seemed very robust.  Then I got my hands on Khamsin at LDI 2021.”

He expects CTS AVL’s roster of Khamsins to be used mostly as key lights thanks to their even, flat field.  They will also be in the rig to create aerial effects and light scenic elements.

“We’re getting ready to do several large-scale corporate projects back-to-back, so there was a big push to get the Khamsins in for those events,” notes CTS AVL vice president, Mike Taylor.

The Mistrals will be slated for aerial effects and back lighting, according to Ranson, who saw the fixtures at LDI and in use at Nashville’s famed Ryman Auditorium.  “We love how small they are for such a big output,” he says.  “We can fit four in a case, which is really nice for us.”  Taylor explains that, “as a company working nationally, getting the most out of our truck space is a big deal.”

Ranson also points out that, “the Mistrals will integrate well in the rig with our Khamsins – a lot of the gobos are the same, and they’ll match colours easily.”

Taylor notes that CTS AVL has a long history of acquiring its inventory from ACT.  “We’re a specialised, boutique-style company that doesn’t invest in hundreds of lights at a time, but ACT has always made us feel just as valued as the larger companies they deal with.”

In addition, Ranson cites ACT’s “excellent support in the field.  I always get answers quickly when I need them.”

 

Text & Photos: Courtesy of ACT Lighting

Other news

Ayrton Domino Profiles ‘Light the Lamp’ at Košice’s Steel Arena

Steel Arena in Košice is one of the most important multifunctional halls in Slovakia. It has twice hosted the IIHF Ice Hockey World Championships and is the […]

Matt Pitman chooses Ayrton rig as Dua Lipa headlines Glastonbury Pyramid Stage

Matt Pitman, founder of design studio, Pixelmappers, and long-time production and lighting designer for Dua Lipa, employed a massive rig of Ayrton fixtures for the singer/songwriter’s ‘flawless’ […]

Ayrton fixtures, zactrack SMART and grandMA3 consoles take a Tour of Earth with Glass Animals

British indie rock band Glass Animals continues their global Tour of Earth headlining some of the biggest venues of their career, including Madison Square Garden and London’s […]

Hikaru Utada embarks on 25th Anniversary tour with Ayrton classics

For the first time in six years, the acclaimed singer-songwriter and J-Pop sensation, Hikaru Utada, embarked on a tour of Japan and Asia, which lasted from July […]

Ayrton fixtures and grandMA3 consoles wrap up Peter Frampton’s Positively Thankful Tour

Las Vegas-based independent lighting designer Gregg Maltby used an array of Ayrton fixtures and a pair of grandMA3 light consoles for legendary artist Peter Frampton’s The Positively […]

Cory FitzGerald chooses Ayrton Cobra and Domino for Adele’s triumph in Munich

The Adele in Munich show was huge in every respect. Taking place on a fully bespoke, purpose-built stage in front of a 220m x 19m LED screen […]