The Little Prince by Antoine de Saint-Exupéry, directed by Stefano Genovese, made its debut appearance 80 years after its publication in a magnificent theatrical production that toured Italy from Rome to Milan in February, and will land in France and the rest of Europe next Autumn.

The production tackles some ‘grown-up’ themes, such as love, friendship, the meaning of life, and death, but does so in a simple language suitable for all ages. The story that tells us that adults never think about the really important things, i.e. those we are taught as children and forget once we grow up.

Lighting designer, Giovanni Pinna, chose eighteen Ayrton Diablo fixtures for the theatrical staging, a choice dictated by the need for a lightweight motorised profile of small dimensions and high-performance.

As with other profile luminaires in the same Ayrton product line, the framing section allows for accurate positioning of its four shutter blades across a 100 per cent surface in all positions, so the user can frame any object regardless of the position of the fixture – an invaluable feature for this production.

« The Diablos, rigged at different depths across the stage, were used for all selective and shaping work, sculpting the stage with light, as well as for effects (gobos-prisms) and for different situations using frost and wide zoom,” says Pinna. « As far as the concept of the project was concerned, we moved from very static and typically theatrical moments, to very dynamic and musical ones where effects and movement became the protagonists. Throughout the show, the Diablos were always ‘on stage’.

« The Diablo is certainly a very good product, probably the best in its range in terms of lighting performance and functionality, and has contributed substantially to the success of the project. It has excellent reliability and has given us no problems whatsoever. We are very likely to use it in a similar context in future.”

The Little Prince played in Rome at the Sistina Theatre from 3-12 February, in Bologna at the Celebrazioni Theatre from 16-19 February, in Turin’s Colosseo Theatre from 23-26 February, Florence’s Tuscany Hall from 2-5 March and will play in Milan’s Repower Theatre from 23 March – 2 April.

The Ayrton Diablo fixtures were supplied by technical production and rental company BOTW of Rome.

Texte: Courtesy of Molpass, translated by Julie Harper
Photos: © Fabrizio Moggio

Other news

La Raíz shines brightly in their comeback with a spectacular Ayrton Cobra light show

After six years away from the stage, Spanish masters of rock, ska, reggae and rap, La Raíz, made a triumphant return, exceeding all expectations with two unforgettable […]

Luke Combs’ fourth Australian tour packs a punch with Ayrton lighting, MDG atmospherics and grandMA3 lighting control

Kevin Northrup, lighting designer for Luke Combs, chose an array of Ayrton fixtures, MDG theONE™ and Atmosphere HO foggers/hazers and grandMA3 consoles for the singer-songwriter’s recent stadium […]

Ayrton Rivale Profiles give no anxiety to Dear Evan Hansen in Sweden

Dear Evan Hansen, the award-winning musical about a high school senior with social anxiety, received its Swedish premiere in Stockholm on 23rd January at the Intiman Theatre. […]

RAF Camora tours with Ayrton Zonda 9 FX

Austrian rapper, singer and producer, RAF Camora, recently completed his hugely successful 10-date Anthrazit Forever Tour 2024 of Germany, Austria, and Switzerland under a ceiling of Ayrton […]

Ayrton Rivale Profile Shines at Esne Beltza’s Farewell Concert in Spain

On February 1st, 2025, legendary Basque band Esne Beltza bade farewell to their fans with a spectacular final concert at Bilbao Arena in Miribilla, Spain. With 8,000 […]

From Old Church to Modern Theatre – Ayrton Diablo brings technology up to date at Theater De Maagd in The Netherlands

Theater De Maagd, a converted church-turned-theatre in Bergen op Zoom in The Netherlands, has recently undergone technical modernization, part of which included transitioning from halogen to LED […]